FRANCE Magazine" Article
(May 1997 Issue)
by Aryelle MONANGE (translated from French)

"Alexandre Ginnsz has written, produced, directed and edited Duo, a film twice awarded in the United States and whose first role is held by his little brother who has Down syndrome. Expatriate for ten years in Washington, DC and New York, this young Frenchman just presented his film at the Maison Francaise. The movie theater was packed. His adventure is altogether an example of family solidarity, where each one gives his best to help Duo penetrate the closed world of movies. A beautiful story.

In the Ginnsz family, there is the big brother, Alexandre, 22-years-old hardly and already movie director, screenwriter, film editor, film and video producer and film score composer. There is also his 13-year-old little brother with Down syndrome, Stephane, proud to have become become actor for Alexandre. Between the two, an amazing complicity and much, much love. The father works at the World Bank, descendant of a long line of engineers and engineer himself. The artistic dimension of the boys undoubtedly comes from the mother, Irene, cordial and passionate, a long time violin soloist at the National Orchestre de Paris who just got back to work (with joy). it is also to help out her son Alexandre. One could add the grand-father, now also movie producer to help out... you know the rest. In the heart of this family, there is a movie, Duo: 30 minutes of tenderness, emotions, glances and notes of music. It's too short. We are asking for more. Shot in 16 mm film, with its freshness often seeked by the best movie directors. This film points the finger at what bothers us and what we try to ignore.

Stephane Ginnsz plays the lead role, a student in a special education class of kids with Down syndrome, who falls in love with Joan (played by Eden Riegel), a young violonist (disconcerting of beauty and grace) Her voice is as fragile as the notes of music which vibrate on the cords of her violin. Joan has this in common with Stephane: loneliness, being different, more sensitive, a dreamer, more timid. She is also lost in her own world, on the other side of the mirror. To be able to communicate, He draws a picture for her, in exchange she teaches him three small notes from music. And Stephane starts to dream: one day he will be jer accompanist. When Alexandre Ginnsz imagine the script of his movie, he was not even 20 yet. In third year of film school at New York University, his these was to be no longer than 15 minutes. Alexandre decided to make it a little longer (which will cost him to be disqualified from the school festival): his close relatives are ready to help him. The story is actually like the story of his family. "I remember Stephane. my little brother very alone", remembers Alexandre.

As for Stephane, the little brother with Down syndrome, he trained for a long time before the shoot. "At the beginning, I simply wanted to know if he could follow the directives. Progressively, I pushed him to see if he could do more, and that was often the case... ", explains Alexandre, obviously in admiration. The result is striking with accuracy and reserve: Stephane can move us, but he can also make us laugh.

The work in this film is colossal. The family has to scrape the drawers to finance it (with the help of several grants). More than 300 young actresses auditioned for the role of Joan. The film shoot, which took 10 working days, 20 hours daily, took place in part in the family house in Washington, for economical reasons. Certain scenes in the movie were shot at the french international high school in Bethesda, at Tilden Middle school and even at the French Embass, in the main movie theater.

Duo received the Martin Scorcese Film Award and Warner Brothers Pictures Film Production Award... Not frequent for a young French film maker in the United States. Success however did not go to Alexandre Ginnsz's head. He is one of those whose reserve and modesty make sympathetic and moving.

Gently, without haste, he is tracing his road. The screenplay of his next movie is already written. In one month, encouraged by true successes, he will be flying towards Los Angeles to edit another movie, with his script under the arm of course. This is how all the great film makers started... "

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